Archive for December 23rd, 2014

Cosby Goes to Cuba

by lizard

The frequency of posting I’ve maintained will continue into 2015, but it does come at a cost. I haven’t written a poem in forever, and the cycle of songs I was working on dried up.

But today, two days before Christmas, I am happy to share a poem that came to me this morning, triggered by reading this article at Counterpunch about Cuba.

So here it is!

COSBY GOES TO CUBA

he looked into the pudding pop
saw royalties, saw clout
to soften up her homeland
the foreplay of his snout
can breathe, and did, and will
as we inhaled him in
when Dr. Huxtable broke out
from the blackness of his skin

in Cuba now the Spanish Fly
is pouring down her throat
the embassy is coming
and capital will gloat
now Bill can be dismantled
and piece by piece removed
his usefulness is over
an embargo past its due

a new day here is dawning
old flames eventually burn out
to soften up her homeland
drip drops of drugging doubt
so cars will come to Cuba
and the revolution is dead
and Bill Cosby’s America
lies unconscious on the bed

—William Skink

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by lizard

I do my best around family to abstain from overt political diatribes (with limited success), but when my dad mocked North Korea’s request for a joint investigation into the Sony hack at dinner last night, I decided he needed a little more information about what the Sony hack has actually exposed.

For most people, when the laughing subsides, this issue is thought of as a free speech issue. Conservative blogger Douglas Ernst, for example, casts this as a make-it-or-break-it moment for free speech in America:

The Founding Fathers knew that the right to free speech was important, which is why it is covered in the First Amendment to the U.S. Constitution as part of the Bill of Rights. Today, Dec. 17, 2014, is the day that U.S. capitulation clowns at Sony gave a dictator veto power over the free speech rights of its American artists and sent a message to thug regimes that if they have enough tech savvy, then they can make studio executives cower in fear.

The fallacious assumption here is that “The Interview” is a product of American artistry. It’s not. The reality is this movie is actually a piece of propaganda that involved the State Department and the Rand Corporation. From the link:

The Daily Beast reported yesterday on leaked emails from the Sony hack which show that the United States government was involved at high levels with the content development of The Interview, especially its controversial ending depicting the assassination of North Korean ruler Kim Jong-Un. As the report’s headline states, “Sony Emails Say State Department Blessed Kim Jong-Un Assassination in ‘The Interview.’” The emails also reveal that a RAND corporation senior defense analyst who consulted on the film went beyond “blessing” and outright influenced the end of the film, encouraging the CEO of Sony Entertainment to leave the assassination scene as it was (in spite of misgivings at Sony) for the sake of encouraging North Koreans to actually assassinate Kim Jong-Un and depose his regime when the movie eventually leaks into that country. According to the Sony CEO, a senior US State Department official emphatically and personally seconded that advice and reasoning in a separate correspondence. The emails also reveal that the U.S. special envoy for North Korean human-rights issues also consulted with Sony on the film.

While a tiny nation state possibly being involved in scuppering a movie premiere by hacking and threatening a Hollywood studio by proxy may be more novel and sensational than yet another psyop by the US Regime Change Machine, the latter is far more important. The United States, as part of its “Asian Pivot,” made an explicit push for assassination and regime change in yet another foreign country under the cover of art and commerce, and the North Korean regime and its ally China are both now 100% aware of it. That has huge implications for politics in the region, for US relations with those countries, for the character and integrity of American art and media, and for the mischievous, generally havoc-wreaking way our government is secretly using our tax dollars.

The reality of how this “film” was produced undermines the free speech argument conservatives like Ernst are peddling. We aren’t talking about art, here, we are talking about propaganda with real world impacts. Here’s more from the conservative nitwit who thinks he knows what he’s talking about:

Anyone who cares about free speech should be downright terrified that companies operating in the U.S. would run for the hills the moment a nebulous hacking group threatens Americans with violence. The fact that it was even under consideration to torpedo the film is an indicator that America’s cultural rotgut has grown to gargantuan proportions. We have been hollowed out from the inside, and Sony’s reaction to being hacked by the “Guardians of Peace” has exposed that sad reality for everyone to see.

No, what has been exposed here is a pathetic scheme by state and corporate actors to use a film as a sort of Trojan horse to propagate regime change in North Korea.

The free speech red herring was examined on Democracy Now yesterday. Here’s a bit from the transcript of the segment featuring Christine Hong’s perspective:

With regard to this film, one thing that I’d say is that the lines between truth and fiction are extraordinarily thin. I mean, the plot of this film, which very few people have seen, was actually screened in rough-cut form at the State Department. And the content of this film is supposedly—you know, it’s about the CIA using Hollywood entertainment and a talk-show host sort of vehicle as a kind of cover to assassinate the leader of North Korea. What’s interesting about this film is, on the one hand, it’s framed in the United States, in U.S. media, as a kind of free speech issue, but this is really a red herring. You know, what’s interesting to me about this is the fact that if you actually look at what the Sony executives did, they consulted very closely with the State Department, which actually gave the executives a green light with regard to the death scene. And they also consulted with a RAND North Korea watcher, a man named Bruce Bennett, who basically has espoused in thesis that the way to bring down the North Korean government is to assassinate the leadership. And he actually stated, in consulting with Sony about this film, that this film, in terms of the South Korean market, as well as its infiltration by defector balloon-dropping organizations into North Korea, could possibly get the wheels of a kind of regime change plot into motion. So, in this instance, fiction and reality have a sort of mirroring relationship to each other.

This isn’t a free speech issue. This is another example of America weaponizing whatever it can to move forward its agenda of global dominance.




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